The Role of Internships in Higher Education Today In summary, the movie is not only astounding science fiction but also warrants several pragmatic instances where it covers real-life aspects such as religion, abortion, euthanasia, and organ transplant among other medical choices. In this scene, the cinema recreates reality in Spengler’s structural functionalism theory. Owing to the simulacrum nature of the island world, which supports proxy pregnancy and donation of organs, the two main characters (Lincoln and Jordan Two Delta) are seen escaping from the island to seek knowledge about the near future. The machinery of the fictitious society is slowly revealed from the perspective of a progressively estranged and inquisitive character namely the “agnate”, Lincoln Six Echo. The movie reveals the island as the only place left in the world where people can live a fantastic life that is free from contamination. Fiction is highly supported by Oswald Spengler’s structural-functional theory. However, the relevance of Durkheim’s structural functionalism theory is defied where “The Island” movie reinstates the works of utopian and dystopian images in a rather fictional world. The science of monitoring bodily requirements has been seen in modern society. This essence is seen in Emile Durkheim’s (a positivistic sociologist) structural functionalism theory that supports empiricism. The movie reveals an imaginary future through spectacular visuality instigated by sensors and screens. For instance, various sensing gadgets seem to analyze his body needs to guide his dietary and medical conditions. The characters in the movie are seen trying to use sophisticated monitoring technology to reconstruct social order in a suppositious setting. At the beginning of the movie, Lincoln Six Echo (Ewan McGregor, a character in the movie) wakes up from a montage of dream scene series in a somewhat sterile facility. Structural functionalism postulates the creation of social cohesion and order in society. To establish a fundamental starting in the analysis of the rhetorical function of fantasies in the movie “The Island”, directed by Michael Bay, the foundations of structural-functional theory will be described in context.
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